Awara

I throughly enjoyed Awara, but in a very different way than the other Raj Kapoor classic I watched last week, Shree 420. Both were excellent films. Both showcased Raj Kapoor in two distinct ways, as the actor as well as the director. And both were, in my humble opinion, worthy of the classic status they hold.

However, while Raj Kapoor won my heart in Shree 420, he broke it in Awara.



I'm not saying that's a bad thing. I may have even liked the overall story a tad better than Shree 420 (If you've read that post, you know I love that film very much, but this story had more romance and family drama, which genre-wise is more my thing). Any film that is about a child separated from his/her parent touches me on a personal level (see my Laawaris post), and Awara presented this situation in a very tangled web of misunderstanding, pride, and hurt.

While this may sound a bit depressing--and it was, at times--the film still had Nargis. Her character, Rita, was like ribbons of sunshine amongst the negativity. While it was Raj Kapoor who stood out to me in Shree 420, it was Nargis who shone here. She had an amazing grace and beauty about her that reminded me of the Hollywood starlets in the same era (I'm not implying that Hollywood actors are superior, but since I've only seen a few Bollywood oldies, and grew up in awe of the old Hollywood classics,that's really all I know to compare this to).

Because Awara cast Raj Kapoor in a different, darker shade than his golden-hearted character in Shree 420, I was able to appreciate the actor's versatility (can't wait to see what else he's done!). Still, I wasn't sure how I felt about this Raj, as he did some things in the film that were questionable.

For those of you who have seen Awara, you probably know I'm mostly talking about the slap.


Yes, Raj Kapoor slaps Nargis in this film. Actually, it was three slaps, sandwiched between a chokehold and a shove to the ground. Now I read in more than one place that it was written in as a symbolism of Raj's frustration at his own iniquities when held up to the goodness of Rita--and has probably been accepted as a necessary part of the story for ages (Correct me if I'm wrong, those of you who grew up loving this film). I'm even confident RK didn't include it to promote domestic violence, but to convey an intense amount of emotion. Still, it was a bit difficult for me to swallow. Did it affect my ability to enjoy the movie? Not necessarily, because I didn't want to overanalyze it. But I just had to mention it now.

But aside from all of that, Awara wowed me like no other with the incredible imagination of Raj Kapoor, particularly in the song "Gyar Aaya Mera Pardesi". For those of you that haven't seen the film, it's possible you may have heard of this one. It's a dream sequence that starts with beautiful picturizations of what appears to be "heaven"...Then, suddenly, as you're basking in the rays of Nargis's beauty and Lata's floating vocal(sounds much smoother than it does today), you're whisked to a "hellish" place and even confronted by a towering villian. Both "heaven" and "hell" even have their own statues of what one can assume is a godly/demonic figure. It's the ultimate contrast of good and evil. Here's a sneak peek:









It was cool that Raj Kapoor was able to cast his real life father and brother in this film. I felt it really added a personal touch to the story, especially in the father/son scenes. And cute little Shashi Kapoor gave a darling performance as the young Raj. He and his costar were equally amazing(I couldn't find this little girl's name, but she was adorable as the young Rita). These two were a delight to watch onscreen, especially after the thick drama that unfolded in the beginning.


If you couldn't tell, I'm really enjoying my journey through the mind of the "Master Showman", Raj Kapoor. I feel like watching these older films has opened a whole new door to something I already love-Indian cinema. I promise to branch out and continue through the different eras and genres, and I'm so lucky to have my readers to do it with me! Your comments and thoughts have been great--keep them coming! It truly makes it so much more rewarding to have someone to share these beautiful films with :).

Text © Nida Nazir Bitten By Bollywood

Shree 420

If you can't resist a face like this, Shree 420 is for you.



He sings. He laughs like a child. His shoes are so worn they can practically talk. He can't afford to pay for his date's chai. But he cleans up quite nicely. He is Ranbir Raj.

I stumbled across Shree 420 while browsing through some of the Hindi classics online. I'd been meaning to branch out and delve into some of the Bollywood oldies from the 50s, 60s and 70s, because I'd heard so many good things about them from the other bloggers, and the Raj Kapoor classics were on sale. So I decided to start there, and purchased Shree 420, Awara, Satyam Shivam Sundaram, Sangam, and Bobby. The other night I figured what the hey, let's start with Shree 420.

As soon as the first song began I knew I was in for a treat. You gotta love these lyrics:


For those of you who know Raj Kapoor, you're probably well aware of his characterization as the "Tramp with a Heart of Gold". For those of you that are not, you must check this film out, as I'm guessing it's one of Raj's most popular roles (I'm only assuming this from what I've read online, as I haven't seen any of his other work yet). He was just as cute as a button! His childlike sweetness and vulnerabilty got me all mushy inside. With a Chaplin-esque outfit and the most pathetic looking pair of kicks I've seen in awhile, Raj lit up the screen as a young man entering Bombay with nothing but his degree, which he carried proudly in his pocket, no less.


Raj's character had such an innocence that most of the time I just wanted to hug him! The man even carried around a medal he had won for honesty. I'm not kidding. And, being the jolly little guy that he was, getting used to the hustle and bustle of the big city was an adjustment. Check out the look on his face when he first arrives in Bombay and discovers people aren't always so friendly:


He also had an interesting way with women. Look at how he laughs like a schoolboy when Nargis (making her entrance into the film) slips on a banana peel:



Smooth, Raj, smooth. You sure know how to woo your women.

The film (which I just discovered got it's name from section 420 of India's penal code--an understandable reference once you see the movie), is about Raj's journey into "the real world" and the consequences of what happens when one is forced to compromise their values and honesty in order to survive (an irony since Raj started the film carrying that medal of honesty award I mentioned above). The film also goes into Raj's clown persona as a mask he wore in order to see the crazy world from a clearer perspective. I'm not sure if this was a deeper message than I took it to be, and maybe I'm overthinking this, but there were times when this was mentioned that made me wonder how "naive" Raj really was. Was that the impression the director wanted me to have? I couldn't tell. And I'm also aware that some of the issues the film touches on probably resonates with those who are more familiar with India's economic standings, particularly at this point in time. Be that as it may, I was struck by how similar Raj's situation was to the middle class American of today.

Shree 420, despite it's sociological undertone, was also a very fun ride. The songs were catchy and sweethearts Raj and Vidya gave me a delightful intro to the famed Raj/Nargis pairing (and, more importantly, to the two as respected Bollywood legends in their own right). (***Spoilers ahead in the next couple of paragraphs**) I liked that the movie ended on an optimistic note--Raj returned to the simplicities of life he began with, proving it is possible not to lose yourself in the trials you may face. (Also, Raj Kapoor looks quite dashing in a suit--see below photo).



Shree 420 also gave me the opprotunity to meet Nargis, the Bollywood star I'd heard about but had never seen onscreen up until now. It's easy to see why she was so popular--her smile was very warm and friendly, almost having a calming effect on me. Yes, Raj was getting too cozy with the bad guys, but seeing Nargis' sweet face reassured me that everything was going to be just fine. Even when Raj dissed her at the party (Something I would have had a really hard time forgiving on a date), I still knew all would end well. How could anybody hurt Nargis?


The songs of the film were a delight to watch. In "Pyar Hua Iqrar Hua", Raj and Nargis reveal their feelings for one another under an umbrella, the rain pouring, an iron fence in the background. We even get a glimpse of the raindrops dancing! In "Mud Mud Ke Na Dekh", I got the impression that Raj Kapoor liked eye candy...and I do too! Here's a glimpse...







Sorry for the picture overload, but it was just so pretty...

As you can see, I really enjoyed this experience. I'll definitely be following up with the posts for the rest of the movies soon. In the meantime, I'll be singing "Mere Joota Hai Japani" as I bartend this weekend. I'm sure patrons at the club I work at will appreciate that. Either that or I'll get jumped in the parking lot.