Merry Christmas!...And, What the Heck, Let's Revisit HAHK and KANK

Merry Christmas, Everyone!And, yes, believe it or not, I really do want to talk about HAHK and KANK again!

Why?

Well, since I couldn't find any other Christmasy moments in Bollywood, I popped in KANK to capture this one. Then I started watching, cuz you can't just pop a SRK movie in and not start watching...

Pretty soon I found myself lost in the world of KANK. I know, you're probably shaking your head while reading this, saying, "Of all the movies she could repost on, why, oh why KANK?" Well, I'll tell you why. I realized while rewatching that there's a whole bunch of fun stuff to cover--and all I did was pretty much tackle the issue and the way Kjo addressed it in the film. While all of that's fine and dandy in terms of discussion, I missed out on a bunch of great screen shot opprotunities and star gazing--Because, let me tell you, the stars of this film look amazing.

I really love Bollywood movies that are set in India, before the whole NRI trend in the '90s. As I've said before, I find these movies comforting because they remind me of the films my aunties would watch when I was little. But I've also got to admit, I love the glitz and glamour of Bollywood in NYC, too. What could ever be painful about seeing gorgeous stars like Rani Mukerji dancing around a beautiful city that I already adore? My dad and his wife live smack dab in the heart of Manhattan, so I could be biased, and I find India just as beautiful (though in a different way), but my point is, the combination doesn't bother me one bit. I love guys in Abercrombie and Fitch. I love Shahrukh Khan. Why wouldn't I want to see Shahrukh Khan dressed in Abercrombie and Fitch? That doesn't mean I don't like him in pyjamas and a kurta...it just means I like having the best of both worlds!



Of course, Abhishek always looks great in my book. But seeing him in long trenchcoats, scarves, and suits didn't hurt either. I think I said in my first post that I was really impressed with him here, and the same holds true today. As a matter of fact, this is one of my favorite dramatic performances from him. The obvious question of the hour is why anybody would want to cheat on him, and I think the film makes the circumstances believable enough. Yep, he's a great husband, and he's really hot, but he and his wife have some major communication issues. Although, if this was my husband, I wouldn't be trying to "discuss" anything!



As you can see from the screenshots, Rani looked stunning in this film. And the makeup! Gosh, this woman is gorgeous, and with her amber eyes and carmel complexion, she can pull off almost any color.

I've heard some complaints about Preity's eye makeup being too heavy. I don't think that's the problem. I think the artist just did some kind of weird wing shape in the other corners that made her look older. I would have stuck with the smoky eye--a character like Rhea needs a smoky, kohl rimmed eye to match her "rockin'" wardrobe and career--but I would have blended the color out a bit more. Other than that, can Preity ever look bad? She totally pulled off the New Yorker look, I don't care what anybody says!;)



Let's not forget Amitabh Bachchan, whose looked smart and snappy (despite the whole "Sexy Sam" trashtalk). This was a much better look for him than the embarassing ponytail he sported in Cheeni Kum.

Now, onto the jodis of the film. There were so many great jodis in KANK! So, keeping in form with the recent jodi lists of the PPCC and Rum, I made my own jodi list for KANK. Which was your favorite?

1)Rani/Abhishek Jodi.If you're a die-hard Rani/Abhishek fan (like I am), you may be leary of watching a film where your beloved couple isn't exactly basking in marital bliss. But take heart...KANK still gives you that "Ranishek" fix you've been craving...they have a lot of screentime together, and look picture perfect in every shot! I was a little disheartened by the circumstances, but come on, its just a movie. I simply popped in Bunty Aur Babli immediately afterwards and skipped to the honeymoon song to end things on a happier note. Ahh, yep, that did the trick!



2)Shahrukh/Rani Jodi. If you're a fan of Rani/Abhishek, perhaps you weren't too keen on the Shahrukh/Rani jodi. Or maybe romances based on marital affairs are too unsettling for you to sit back and relax with. Whatever the case may be, "Tumhi Dekho Na" is so picturesque that it really created the backdrop I needed to believe the story. I'm not sure how it managed to do that on images alone--but it did. There was something about the colors, the changing seasons and the haunting melody that I found myself falling under their spell, even though I didn't want to. I thought Rani and Shahrukh accomplished what they were supposed to--they created a chemistry that was forbidden and yet enchanting enough that even I forgot about Abhishek...for a second.

3)Abhishek/Preity Jodi. There was something about watching this couple hug prior to "Where's the Party Tonight" that made you ache for them--and what they didn't know. You knew halfway into the film that there wasn't going to be anything going on between these two--they were completely trustworthy, and totally committed to their spouses. And they were so fun to watch on the dance floor! Both playful, energetic and spunky. I always imagine that the director of Jhoom Barabar Jhoom saw Preity and Abhishek in KANK and said, "I've got to give people more of these two! Sign them up for my next project!"



4)Abhishek/Amitabh Jodi. Of course, their dialouges together consisted mostly of the word "Dude", but still...I always get warm fuzzies whenever I see these two onscreen together. Especially on the dance floor! Without their jodi (and Kajol's cameo) "Rock 'n' Roll Soniye" would have been unbearable!



5)Amitabh/Kirron Jodi.Of course, I'm still waiting for someone to snatch up Big B and Kirron Kher for a new twist on a romantic comedy. This was the best jodi of the film! The relationship with Dev's mom (Kirron) and "Sexy Sam" was a great side story, and saved Amitabh's character from looking like nothing more than a dirty old man.




6)Everyone Jodi. Gosh, everyone just clicked with one another in some scenes. Especially when the four main characters shared screenspace--think the snappy confrontations at the ballet, at the "Rock n' Roll Soniye" party, and at the hospital. Those one liners--particularly Shahrukh's--were hilarious. And who could forget the intensity at the dinner scene in the second half? The contrast between Shahrukh and Amitabh's icy comments over the flaming candlelight was sheer brilliance.



7)Little Arjun/"Simran" . A cute "in" joke referencing DDLJ. Aww!




8)Me/Arjun Rampal/John Abraham. Oh, did you miss that part? ;)





So that sums up the KANK recap. Now, onto that other film with a famous acronym...

HAHK, or, Hum Aapke Hain Kaun. I have to chuckle while I write this, because, gosh, this film is something else. It really is. On the one hand, its utterly ridiculous...the film stretches nearly four hours long, the plot doesn't kick in until the last hour and a half, and there's a lot of technical snafus. When I first saw this, I didn't quite "get it". My comments from readers assured me I wasn't alone. I decided to put HAHK way in the back of my DVD cabinet, proud for trying and glad that I at least liked some of the tunes.



Yes, that is a dog listed in the opening credits. I'm not kidding.

Anyways, for some reason, I decided to pop it in again last night. I'm not sure why. Maybe it was Daddy's Girl's recent post on Sooraj Barjatya's films, or the fact that I was one of the few bloggers who liked Vivah, or the upcoming holidays (I saw HAHK last Christmas, and I'm big on holiday repetition with films), but I just felt like watching it again.

And you know what? I got it. In fact, I loved it. Everything that confused me the first time around literally delighted me this time. A song about shoes? Awesome! Practical jokes? Funny! Family values instead of a plot? Aww! A dog as an active character? Bring it on!












I always said Vivah was a film I enjoyed because it felt like I was spending time with the characters as opposed to watching an actual movie. Because of this feeling, the weak plot never bothered me. I found every moment in that film touching and sweet, like my grandmother telling me the story of her courtship with my grandfather. I felt something similar with HAHK this time, although with this film I thought the emotional depth was even stronger. There was love all around in HAHK. Love between Nisha and Prem (Salman/Madhuri), love between Pooja and Rajesh, love between both families, Prem's love for his bhabhi...its just beautiful to watch. For example, there's a touching moment when Pooja's mother sings to Rajesh's father about how she is entrusting her most beloved treasure--her daughter--into his care. The two gaze at each other and sing, sharing a moment that is powered by their love for their children, and nothing more. How did I miss that the first time around?




Of course, the best part of the film is still the music and Salman/Madhuri. But that was one thing I mentioned even in my first review. It was the rest of the film that I didn't quite get, but now that I've pieced it all together, HAHK has shockingly become a Bitten By Bollywood classic. I'll probably watch it again every Christmas. It's not holiday themed by any means, but it gives me that same cozy feeling that I get when I'm decorating the Christmas tree, listening to carols and sipping hot cocoa. It may not be for everyone--it sure wasn't for me, at first--but it's become one of my comfort foods in Hindi cinema.

And there you have it--two films that have unexpectedly found their way into my heart this season! Maybe I need to lay off the eggnog...or maybe they're both a lot more charming than I had thought. Either way, I hope everyone is having a blessed holiday and I'm wishing you all a Happy New Year!

Bunty Aur Babli

And here I thought Rani Mukerjee didn't do kissing scenes.



Boy, was I wrong. In Bunty Aur Babli, Abhishek Bachchan and Rani Mukerjee kiss. A lot. And you know what? I'm not complaining, because these two were hot together! But don't let me mislead you with that intro...their romantic jodi was really only a small part of their relationship in the film. The pair worked very well together in many other ways, and that is what made BAB appealing. Whether they were arguing, laughing, kissing, dancing, scamming innocent people...It seemed like Rani and Abhishek had a lot of fun shooting this movie. So I had fun because they were having fun.





Some argue that "Kajra Re" was the best thing to come out of Bunty Aur Babli, but I say it was the connection between the lead pair. It's a must-see for any Rani-Abhi fan out there.

**Aside: Lately, I've tried to be realistic about the whole onscreen "chemistry" thing (Something I thought a lot about in my first experiences with Bollywood but have since realized is more of a reflection of two professionals who did a good job at what they were supposed to do and a director who knew how to make that translate onscreen). Don't get me wrong--its still fun to get excited when I see a couple who has good chemistry, but its just not something I think is automatically carried by two people from film to film (By the way, this realization was not based on my own thoughts, but on something Carla said in a comment once). But call it what you want to--in this film, Rani and Abhi had great chemistry.

This comedy/adventure centers around Rakesh(Abhishek Bachchan) and Vimmi(Rani Mukerjee). Rakesh lives in a small village and dreams of making it big as an entrepreneur. Vimmi lives in another small village and hopes to become the next Miss India. One day they each decide to run away from their homes and pursue these dreams. Rakesh brings his business ideas to an investor, who turns him down but eventually steals the idea for himself. Vimmi is offered an indecent proposal as her only entry into the Miss India contest--which she adamantly refuses. Both are almost discouraged completely--until they meet each other. They discuss their situations and devise a plan to con the man who stole Rakesh's idea. Their plan works, and they quickly realize scamming people is the easiest way to acheive their goals.



As I said above, I'm not sure the movie would have worked for me if Rani and Abhishek hadn't clicked so well with their roles. Its just not my type of movie, I guess. But, luckily, the director cast two people who knew how to pull this one off.




I knew Rani was an amazing actress, but I never would have guessed she'd be that good in a comedic role. I should have known--I'm always in awe of Rani's transformation from her public persona to the character she is playing. I mean, if you watch her in interviews, she seems so refined, politically correct, quiet, reserved. But then you see her onscreen and she can be the exact opposite: sultry, sassy, playful, fun, loud, etc. Quite the versatile actress, she was hilarious in this film. Here's one of my favorite scenes:







You can't tell from the screenshots, but after this last frame (where the other girl is saying "what a bitch") Vimmi shouts back, "you bitch!" in English...but she does it in a really cute, almost innocent way...watch out for this if you see the film and you'll see what I mean.

Abhishek was less of a surprise--some of the best scenes in Jhoom Barabar Jhoom belonged to his comedic flair. He was great here, too, looking babyfaced and cute throughout most of the film (with the exception of Bunty and Babli's honeymoon, where he had that sexy five'o clock shadow that transforms him from adorable to hot).



The only thing negative I have to say about Abhishek is that I felt he slipped a little on the acting front at times. Now, I'm one of those people who happen to think Baby B can really act, and disagree when critics say otherwise. But, here, for the very first time, I saw a glimmer of what they are talking about when they call him "wooden". I don't mean this as a contradiction--He really did do a great job as a whole, particularly in the funny scenes. I just felt he slipped a little when things got serious. But I still love him, and still feel he was the best choice for this role.

As for Amitabh Bachchan as the cop hoping to capture Bunty Aur Babli, I could take him or leave him.

I'm typically not a big fan of the whole "cops and robbers" thing, as these films usually contain a lot of violence (not something I can't handle to watch, but something I don't particularly care to watch). However, Bunty Aur Babli contained very little violence, and the scams were cut and dry, easy to follow without much bloodshed. This helped to sway my opinion in a favorable direction, but may be a disappointment for those expecting an action flick (it's not).

As for the music, say what you will about Yashraj films, but they sure know how to whip up some cool song visuals. And, no, I'm not talking about "Nach Baliye", the song that looks like it was the inspiration for Love Story 2050--I have mixed feelings about that one...




I'm talking mostly about the pretty "Chup Chup Ke", the song used to portray Bunty and Babli's honeymoon. In classic Yashraj fashion, we're transported from one beautiful locale to another as each new verse plays...and it's this song that truly displays the smokin' hot connection between the leads I described at the beginning of this post...







And Rani got to wear this cool skirt...(By the way, this is the same expression I would have on my face if I were on my honeymoon with Abhishek Bachchan/Bunty).



Of course, Bunty Aur Babli is not known for this song. It's the dazzling item number "Kajra Re" featuring Aishwarya Rai that people remember most.



I'd heard so much about this song that my curiosity got the best of me last summer and I peeped it out on Youtube. I didn't really appreciate it back then, but this time around, I think I can see why it is such a hit.

For one, Aishwarya is her usual stunning self--the look her makeup artist did really suited her here(I'm a makeup artist, so this stood out to me even more than the fabulous outfit she wore--another flattering element that deserves to be mentioned).



Its also a very pretty song--Alisha Chinai's sweet voice is as smooth as butter. Aishwarya dances well, as I usually think she does.

Also, watching "Kajra Re" in the film meant I got the subtitles--a plus because some of the lyrics were very cool:




This song was made before any real life romance emerged between Ash and Abhishek--at least as far as I know--so it was somewhat amusing to watch her cast him aside in favor of Daddy B. I know they were all in character, but...you still gotta love the irony, right?



Speaking of Amitabh's Lt. Singh, check out this line Ash uses to seduce him:



Lt. Singh chooses the latter option, making him probably the only man on the planet who would pull out a knife instead:



And, last but not least, I got a whole new insight on the whole "Aei Handsome" thing from JBJ--I had no idea it originated here!



The worst thing about my Bunty Aur Babli experience was the growing ache in my heart caused by my lack of funds to purchase tickets to The Unforgettable Tour for its Chicago stop. It almost made my "Kajra Re" moment bittersweet. Another bummer in my life as a college student--and a single parent! Oh well, hopefully they'll come back someday...they will come back, right?...Right?? ;)

For me, this was a pretty good way to spend a Tuesday night. But don't go into Bunty Aur Babli expecting to be blown away by plot or storyline. Just go in wanting to have a good time, because that's what this film is all about.



Text © Nida Nazir 2008 Bitten By Bollywood

Black

Despite all the good things I'd heard, I wasn't too excited to watch Black. It sounded too much like The Miracle Worker, and while I think the true story of Helen Keller and her teacher Annie Sullivan is a remarkable one, I didn't feel the need to sit down and watch a Bollywood movie so strikingly similar to something I'd read countless books and written endless papers on in high school.

But, luckily, I found the DVD online at a giveaway price, and gave Black a chance.

Believe it or not, this is now one of my favorite movies. It was so beautiful, touching, and uplifting that I forgot about the similarities to Helen and Annie. It made me laugh, it made me cry, and I was so invested in the characters and story that I felt like I was in the movie (Sanjay Leela Bhansali's fancy sets and fake snow didn't hurt, either). I watched as if I had never heard of anything like this before, as if Michelle was as real as Helen Keller had been, and her teacher a true symbol of compassion, patience, and love.

And if I thought Rani Mukerjee was a talented actress before, I hadn't seen half of what she is capable of until I saw Black. She used such a wide range of expressions (something I don't usually see her do), exercised her trademark charm in a whole new way, and turned out a truly amazing performance as Michelle. As if I needed one more reason to love Ms. Mukerjee...



Amitabh also did a fine job as Michelle's teacher Debraj. Once again, I forgot that this was "Big B." I haven't seen many of his films, but have noticed in several a distinct authoritative tone to his voice. This seemed to be missing in Black, which was nice because it made Debraj more "ordinary." I'm not criticizing Amitabh's other work (I enjoy him very much), but it takes a true actor to get you to believe in him as his character rather than as the superstar he really is (for example, it's hard for me to watch Shahrukh Khan in a film and see him as his character rather than Shahrukh Khan). But Big B. achieved this...he was outstanding.

Last but not least, let's not forget Ayesha Kapur as little Michelle! How many actors, let alone child actors, can pull a role like this off? I was in awe of her in every scene.

The friendship between the two leads, Michelle's persistence through school (with Debraj never giving up on her), and the family's reactions to the events in the film made Black an extraordinary and inspiring film. I'd recommend it to anyone, including those who have never seen a Bollywood movie. I liked Devdas, sort of liked Saawariya, but never really had my moment where I connected with Sanjay Leela Bhansali...Until now.

Text © 2008 Nida Nazir
Bitten By Bollywood