Showing posts with label Rekha. Show all posts
Showing posts with label Rekha. Show all posts

Gol Maal (1979)

Yes, Yes, YEEESSS!!! I've finally found a Bollywood comedy to love!







Ahh, I've struggled so to get here. I know I haven't been making the best choices, but for a long while I didn't know where to start. Gol Maal was recommended to me by Doc Bollywood and was a favorite on Shweta's Mac N' Cheese Movie Poll, so I just knew this was going to be a good one (Shweta and Sanket will never steer you wrong!)





Who can resist a face like this?





I was smiling as soon as Gol Maal started. As the opening credits roll, we see Amol Palekar and friends singing the title song in a happy little circle. Man, just the expressions on these guys faces are comedic enough, especially Amol Palekar:







Amol plays Ram Prasad Sharma, a recent college grad living with his sister. Knowing he'll be looking for a job, his uncle suggests he apply for an interview at his friend's firm. But there is a catch: The uncle's friend (Bhavani Shankar, played by Utpal Dutt) is extremely picky about who he hires (He even has a plaque in his office that reads, "WORK IS GOD"). As a matter of fact, there are several rules Ram must follow in order to get the job. His uncle tells him that Bhanvani:



1)Hates recommendations, therefore he can't use his uncle as reference.

2)Doesn't want to hire anybody with the least bit of interest in sports (which Ram loves) or music (which Ram also loves--see above images and video)...

3)Has a strong respect for Indian values...

4)Considers having a mustache a sign of strength and confidence!









Ram decides (somewhat reluctantly) to conform to this persona in order to become the ideal candidate for the job. He borrows pyjamas and a kurta from a friend (who happens to be in the film business, which leaves room for some fun cameos!), slicks his hair back, and pretends to have no interest in anything except work and his "rigid Indian values". The interview process goes smoothly, he is hired, the boss is happy, Ram is happy, everyone's happy. Of course, since the entire thing is based on a lie (Ram's carefree personality is miles away from the "New Ram"), we know Ram's headed for trouble.



This guy means business.





Ram's very proud of his new job, and we see him living the "good life", singing, throwing parties, feeding his friends. But when the gang invites him to a cricket match that happens to be going on during work hours, it doesn't take much convincing for Ram to devise a plan to get out of work early. He uses the oldest, riskiest trick in the book: His mother's sick and he has to go see her at once. Of course, since Ram has sort of become Bhavani's pet employee, he agrees and Ram happily attends the game with his pals.



But guess who also shows up at the game!







That's right, the boss himself. Sounds like something that would happen to me, yaar!



Of course, Bhavani's ticked off, and confronts Ram the very next day. Caught on the spot, Ram does the only thing he can do to save his hide: He tells his boss it wasn't him, but his twin brother, Lakshman, that he saw at the stadium. Bhavani actually feels guilty for mistrusting Ram and offers his brother a job at the firm to make it up to him. Ram frantically declines the offer, saying Lakshman is too incompetent for a job like this, since music is more his thing. But Bhavani won't take no for an answer, and counters with a job offer for "Lakshman" as a music tutor for his beautiful daughter, Urmila.





The boss' beautiful daughter.





I'm sure you can see where this is going. Ram has to assume two identites, the "New Ram" (which is the polar opposite of the real Ram) and the fictional twin Lakshman a.k.a. "Lucky" (who is actually more like the real Ram, only with a shaved mustache). By day he works for Bhavani in the office, and by night (which looks more like afternoon since its always during broad daylight) he tutors Urmila. Do they fall in love? This is Bollywood--Of course they do!



What follows is mixup after mixup, mishap after mishap, until Ram's lie blows up to enormous proportions. Most of the time I felt like I was watching a sitcom instead of a movie--and that ended up being a good thing! The comedic timing was spot on, the actors looked like they're having a fun, and the movie didn't drag one bit. It was just pure zany, wacky Bollywood fun! Like eating a bowl of mac 'n cheese, indeed!







It's probably no coincidence that Farah Khan chose the names of Shahrukh and Zayed's characters in Main Hoon Naa to be Ram Prasad and "Lucky" Sharma as well. I could see Gol Maal being one of her all time favorites, since this looks like it would be right up her alley!



There are cameos galore in Gol Maal. While I'm sure I missed some of them, the one with Amitabh Bachchan was appreciated, though I didn't get the whole "Anthony Bhai" thing all the way.







I recognized Rekha, Zeenat Aman, and Hema Malini, in a fun song that I really, really wish would have been subtitled because it looked like it was chock full of jokes and cameos!







Although all of the actors contributed greatly to the success of the film (even Ram's friends, who were used very little), Gol Maal belonged to its two leads, Amol Palekar and Utpal Dutt. Both of these guys were physically perfect for their roles, as you can probably tell from the images. Utpal fit the part of a grumpy ol' boss like a glove, and Amol...well, let's just say I now have a soft spot for Amol Palekar. His expressions, mannerisms, and goofy smile literally made my day!



Thanks to Gol Maal, this won't be my last venture into Bollywood comedy. It's the most hotch-potched, hilarious thing I've seen in Hindi cinema (yet) and I adored every minute of it!













Silsila

I have a confession to make.

It was probably the real-life rumors surrounding Silsila that peaked my curiosity over the actual movie itself. Whether there is any truth to them or not remains unknown(and quite irrelevant when judging the film), but it certainly made things a bit more interesting to watch.



I promise not to go on a tangent about the real life drama, because I want to give a productive review on this film (and I'm sure everyone's tired of hearing about it already), but there is just one thing I'm insanely curious about...If Amitabh and Rekha's alleged real life affair was such a hot rumor in Bollywood at this time, why on earth would Jaya agree to do this film? Was she proving to everybody that she was confident in her husband's faithfulness? Or did the rumors start going around after the release of the film? And for that matter, why would Amitabh agree to it? Almost makes the rumors seem ridiculous, doesn't it? If those of you who grew up on Bollywood can shed some light on this, I'd really like to know!

But let's talk about Silsila. I'm trying to branch out and slowly roll back into the Bollywood films from decades past, so I really haven't seen many, and I'm still not sure Silsila was a very good place to start. It wasn't an amazing story, but it was still likeable due to the performances, some of the music, and the way the script seemed to flow (I probably don't know much about what constitutes a tight script, but if I had to guess, I would say this one delivers since it stuck to the point and was easy to follow).



As Carla's post states in much more accurate detail, Rekha was the one disappointment in the group. I was surprised because I had been so impressed with her in Umrao Jaan and was expecting another memorable performance. Instead we get Chandni, which she still played with her classic sensuality, but who came across as doing little more than clinging desperately to Amitabh Bachchan. Don't get me wrong, though...I still find the woman's allure to be absolutely fascinating. There's just something bewitching about her, and I can imagine she was the fantasy of many a men in her day.

On the other hand, one of my favorite performances of the film came from Jaya Bachchan, in the scene where her husband tells her about the affair. She did this twisty thing with her mouth like she was going to cry, and I thought it was very believable.

The songs in Silsila were entertaining, especially since I found Amitabh and Rekha to be almost picturesque onscreen together. They looked like the Barbie and Ken of 80's Bollywood.



However, the shining point in the film was its ending. Kudos to the writers for trying to make the point about affairs that I feel is so often the glaring truth: Everything is exciting when its forbidden, but once you actually get what you think you want, you realize its not as perfect as you thought it would be (as opposed to a movie like KANK, which got that part all wrong).



And, last but not least, here comes the makeup artist in me (because I just couldn't hold it in any longer). If you want to duplicate Rekha's to-die-for lips in Silsila, try Desire lipglass from MAC with Vino or Currant lipliner.

You can thank me later.

Text © Copyright 2008 Nida Nazir

Bitten By Bollywood

Umrao Jaan (starring Rekha)


Umrao Jaan was one of the first Bollywood movies I'd seen, so I decided to revisit it the other day to see if my opinion had changed a year (and several Bollywood films) later.

Two things came out of this experience. First, I realized I didn't remember much about it all, because I sort of felt like I was viewing it for the first time. Second, I actually enjoyed and appreciated the film much more.

During my initial viewing of Umrao Jaan, I lost interest towards the middle of the movie. Not so this time. In fact, I was quite absorbed in Umrao's woeful life, from beginning to end. I don't know, maybe I wasn't used to the length of a Bollywood movie back then, because this time I actually thought the movie flowed together pretty well...the script stuck to the story and the ending wasn't dragged out. That's something to applaud in Bollywood!

And although I must have thought Rekha was a natural as Umrao Jaan, this time I was actually mesmerized by her performance. Technically, she's not one of my favorite actresses, but I definately have a girl-crush on her! She was Umrao Jaan...Every bat of her long black eyelashes, every alluring glance, every purse of her ruby lips...she had it down to a science. Rekha made the perfect courtesan as she bewitched men with her charm, drawing them deep into her web of seduction.

Naweb Sultan illustrates this for us with this smitten stare...



Wow, look at the intensity in his left eye! How could Umrao resist?

But all jokes aside, Farooq Shaikh portrayed Sultan appropriately. He was refined and composed, yet had a weakness for Umrao he was unable to shake. His role was minor in comparison to Rekha's, but his entrance in the film was a relief because I was beginning to fear her love interest would end up being Naseeruddin Shah's annoying character. And thank God it wasn't.

Besides the performances, I also couldn't resist taking a bunch of screenshots for this blog's banner...there's just something about the look of the film. So classic yet not forced. I could watch the movie just for the visuals alone.

I'm aware that Umrao Jaan's music is considered timeless in Bollywood. Since I don't speak Hindi, I have no right to argue, but I really only enjoyed them because of Rekha's dance moves.

Poor, poor Umrao Jaan. She had such a tragic and lonely life, and my heart just bled for her. Yet her character seemed so human to me because she was longing for love more than anything else. I'm so glad I decided to watch her story again, because I literally saw it in a whole new light. Note to Bollywood: Give me more stories with a female at the center!

Text © Copyright 2008 Nida Nazir
Bitten By Bollywood